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Sections Home Search Skip to content The New York Times The 6th Floor Search Subscribe Now Log In 0 Settings Close search Site Search Navigation Search NYTimes.com Clear this text input Go Site Navigation Site Mobile Navigation Supported by The 6th Floor Just another nytimes.com Blogs weblog Search Dec 10, 2014 Dec 10, 2014 The Most Romantic Kisses in Cinema By The Staff In this year’s Great Performers issue , A.O. Scott writes that kissing in movies ‘‘established a glamorous iconography and an elegant choreography for an experience that, in real life, is frequently sloppy, clumsy and less than perfectly graceful.’’ Here, a few of the most romantic kisses on film, from young love to foiled love. Photo “Gone With the Wind,’’ ‘‘Rear Window,’’ ‘‘The Thomas Crown Affair’’: Everett Collection. ‘‘The Rules of the Game’’: Janus Films/Photofest. ‘‘From Here to Eternity,’’ ‘‘The Way We Were’’: Columbia Pictures/Photofest. ‘‘Don’t Look Now’’: Paramount Pictures/Photofest. ‘‘Sixteen Candles’’: Universal Pictures/Everett Collection. ‘‘Django Unchained’’: The Weinstein Company. Credit Dec 10, 2014 Dec 10, 2014 Classic Film Kisses, Rain or Shine By The Staff Using weather to heighten the emotions of a kiss scene may be clichéd, as A.O. Scott acknowledges in his brief history of kissing in movies for this year’s Great Performers issue . But such scenes, he writes, ‘‘still seduce.’’ Here, the quintessential film kisses under stormy or clear skies. Photo ‘‘Breakfast at Tiffany’s’’: Paramount Pictures/Photofest. ‘‘The Notebook’’: New Line/Everett Collection. ‘‘Singin’ in the Rain’’: MGM/Photofest. ‘‘Spider-Man’’: Columbia Pictures/Everett Collection. ‘‘Rocky’’: Mary Evans/Ronald Grant/Everett Collection. ‘‘Pretty Woman’’: Mary Evans/Touchstone Pictures/ Ronald Grant/Everett Collection.‘‘How Stella Got Her Groove Back’’: 20th Century Fox Film Corporation/Everett Collection. ‘‘Silver Linings Playbook’’: The Weinstein Company. Credit Dec 10, 2014 Dec 10, 2014 How Long Before a Kiss of Death Takes Hold in the Movies? By The Staff Not every kiss is an act of love. In some cases, it’s an act of aggression, as A.O. Scott notes in his essay for this year’s Great Performers issue . ‘‘Think of Michael Corleone locking lips with his traitorous brother Fredo on New Year’s Eve in Havana, a fratricidal kiss of death.’’ Kisses can therefore be lethal — but not always right away. Photo Credit Photo ‘‘Pandora’s Box’’: Everett Collection. ‘‘The Postman Always Rings Twice’’: MGM/Photofest. ‘‘Last Tango in Paris’’: United Artists/Photofest. ‘‘The Godfather Part II’’: Paramount Pictures/Photofest. ‘‘Duel in the Sun’’: Selznick Releasing Organization/Photofest. ‘‘Sleepy Hollow’’: Paramount Pictures.‘‘Blue Velvet’’: De Laurentiis Entertainment Group/Everett Collection. ‘‘Black Swan’’: Fox Searchlight Pictures/Everett Collection. Credit Oct 31, 2014 Oct 31, 2014 Behind the Cover Story: Bruce Grierson on Ellen Langer, Counter-Clockwise Studies and the Relationship Between Mind and Body By Rachel Nolan Photo Bruce Grierson Credit Bruce Grierson wrote this week’s cover story about Ellen Langer, a Harvard psychologist who has conducted experiments that involve manipulating environments to turn back subjects’ perceptions of their own age. Grierson’s last article for the magazine was about Olga Kotelko, a 91-year-old track star , which became the basis for his book “What Makes Olga Run?” How did you first hear about Ellen Langer or grow interested in her research? Ellen must have been hiding in my blind spot. She’s been doing her thing for almost four decades, but I didn’t stumble across her until I was researching my book, What Makes Olga Run ? A chapter of that book deals with human limits and the role of the mind therein. I called Ellen up. She told me the story of her mother’s and grandmother’s afflictions. Then I learned she was contemplating this cancer study. It started to feel like a story. Did she surprise you in any way? About 20 seconds into a conversation with her, you know she’s different. She doesn’t sound like a scientist. She speaks in the rhythms of one of those old borscht-belt comics — punch, punch, punch, stop-me-if-you’ve-heard-this-before. There’s almost a narrative intelligence — if that’s a thing — that’s more obvious than her scientific intelligence. She’s an artist — literally (she paints) and also in sensibility. She’d surely agree with Einstein that not everything that can be measured matters, and not everything that matters can be measured. She’s fun to be around, but she kind of wore me out. Read more… Oct 18, 2014 Oct 18, 2014 Analytics: Run, Mitt, Run? By The Staff The following graphic appears on the Reply All page in the Oct. 12 issue of the magazine. In the comments on Mark Leibovich’s article about Mitt Romney , readers debated whether the former nominee should consider another run for the presidency. Photo Credit Share your thoughts in the comments section. Oct 17, 2014 Oct 17, 2014 The New York Times Magazine Photographs Exhibition at Aperture By The Staff Slide Show The New York Times Magazine Photographs exhibition opened last month at Aperture’s exhibition space in Chelsea. The pictures, culled from years’ worth of editorial assignments, will remain on display through Nov. 1. A few highlights can be seen in the slide show above. Oct 17, 2014 Oct 17, 2014 State of Mind: What Makes Oligarchs Run? By Jim Rutenberg When I reported my article on the flood of private campaign money that is washing away the traditional party system , I focused on the what and the how. But the why is also fascinating. What drives billionaires, who could do anything with their money, to engage in the frustrating work of politics? Certainly you could argue — and many do — that the engagement is entirely a matter of personal gain. But if you listen to Tom Steyer, who has dedicated more than $50 million of his own money to electing Democrats this fall, or Charles and David Koch, whose Americans for Prosperity is expected to spend more than $125 million on Republican candidates and policies this fall, you will hear a more philosophical story. Here, in their own words, are the worldviews that motivate them. The Steyer quotes are from my own recent interviews. In the case of the Kochs, who did not agree to be interviewed, I have cited various public statements. On the role of government Tom Steyer: The reason you have a government is: A community decides that they are a community and they have common needs and they should be organized in order to solve those. And you have a democracy so that you get the answer that the most people agree with. That’s the theory; that is not bad. If you don’t believe in community, you don’t believe we have common interests with other people, then, you know, it’s fine to imagine that we’re really all living in caves, and when we go outside it’s completely fair to hit each other over the head with clubs and then, you know, cook us for dinner. [But] that’s not actually how American society has achieved the things that it has achieved. Charles Koch: In many ways, our vision for Koch Industries reflects the genius of America’s founders, who took a very different course from what was normal in Western Europe 240 years ago. As they saw it, the job of government was not to protect people from themselves or control their lives; it was to establish freedom so people could live their lives as they thought best, reaping the rewards or suffering the negative consequences of their own actions. As Jefferson wrote in the Declaration of Independence, life, liberty and the pursuit of happiness are inalienable rights that we already have, not something a government can presume to give us. Thus the founders did not propose a government to deliver or guarantee happiness (a hopeless cause, however well-intended), but one that would be limited enough to allow people to pursue happiness for themselves. ( From Discovery, the Koch Industries newsletter, Jan. 31, 2014 ) Read more… ...